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June 13th, 2011

Scotch Broom…aka Cytsius Scoparius.

This invasive weed is everywhere in the Pacific Northwest. A native of the Mediterranean, it was imported to British Columbia in the mid 19th century by Captain Walter Grant for cultivation on his Vancouver Island farm. And just as with the introduction of starlings, nobody knew it was invasive with insidious effects.

One unassuming plant can go from this.

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To this.

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To this.

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And finally, to this, in which it is no longer beautiful, but becomes a yellow blight of oversaturation on our springtime verdant hillsides, breaking the Law of Chromatic Distribution.

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Now I am wondering two things. Has it proliferated so because it is bright yellow and it beckons pollinators at every turn? And second, doesn’t all this yellow serve as a warning as does a bumble bee, a yield sign, a school bus or some caution tape? Is it telling us by its golden yellow color, Pantone 130 PC, that if we don’t do something soon, we’ll all find ourselves strangled by this yellow invader?

In my opinion, there is only one good thing about this plant. If one is so lucky to be in earshot of its exploding pods in late autumn, one is in for an auditory treat.

Just to let you know, when I design with color, I exercise a little more restraint than Cytsius Scoparius.

ebrown@eb-color.com 206-353-0454

Original post at Colorific.
June 7th, 2011

“So, first of all, let me assert my firm belief that the only thing we have to fear is fear itself — nameless, unreasoning, unjustified terror which paralyzes needed efforts to convert retreat into advance”. FDR

Chromophobia is defined as the fear of color and is a curiosity I encounter all too often. Yesterday I got a call from a woman who was clamoring for help. Admitting that she had lived in her home for 27 years, surrounded by the same off white walls, she desperately wanted to make a change and had not the least idea where to begin. There was so much excitement in her voice, as if making this phone call was a turning point in her life. It seemed she had finally decided to take the plunge and make a big positive change. We scheduled a color consultation appointment for the next day. She was relieved, practically giddy, yet whimpered, “I’m scared.” My reply to her? “Don’t be. Do you know how much fun this is?

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Two hours later, she called again, this time to cancel the appointment. Her voice was rushed and she sounded uncomfortable. I too was unsettled for awhile, even a little disappointed for, as always, I was looking forward to it. I absolutely love what I do in the service provided to others and the resulting joy it brings them. Then it dawned on me. She is scared. Making a change with color just might be beyond her perceptual threshold. Now I am not a psychologist, but I’m going to play one in this post. I believe her trepidation stemmed not from the disquietude of possibly not liking the new color choices, but in actually taking the plunge personally to make that change.

dragonsappetite.etsy.com

In Dr. Morton Walker’s intriguing book, The Power of Color, he states: “if a patch is put over one eye of a chameleon, only half of the chameleon’s body will change color to match the surface on which it crawls.” Not only do I find this fact fascinating, I also view it as a metaphor for wholeheartedly making the commitment to making a positive change with color. You just can’t go halfway there.

If you are ready to make a positive change with color, please DON’T be afraid to make the call.

206-353-0454 ebrown@eb-color.com

eb-color.com

Original post at Colorific.
May 31st, 2011

More often than not when I go on a color consultation, and I’m looking for the house number, it is obscured. It confounds me. If I can’t find your house, how could the fire department need be? Too often, house numbers are either hidden under dense foliage, in the shadow of the eaves, are small and insignificant, camouflaged or just plain boring.

Presenting your home’s address should not only be a safety feature, but can also be an art form as well -one more way to express your creativity and the uniqueness of your home. And for sure, another way to add more curb appeal.

With a myriad of options out there, coming in all sizes, shapes, finishes imaginable,they are just a Google search away. But, since I am a devoted member of the Etsy community, why look any further? It always feels good to support independent artists and craftspeople.

Look at these metal numbers from toughandtwisted. The creator will custom weld your numbers for you. This is great for creating a ranch-like feel especially against the stucco.

How about these vinyl letters from HouseHoldWords so elegantly placed on the rail of the door? It creates a European aura. It reminds me of the stately doors I saw in Amsterdam.

These modern metal numbers from austinoutdoors are striking.

And I especially love the artistry by Melissa at Pieces of Grace.

Have a look at all the options. You will be delightfully surprised.

Besides helping you assign colors to your home that will not only accent its architectural features, I can help you with other ways to enhance of your home’s curb appeal. I’m just a phone call or an email away.

206-353-0454 ebrown@eb-color.com

Original post at Colorific.
April 25th, 2011

It’s exterior house painting season in Seattle and architectural color consultants like me are in full swing helping homeowners make proper decisions in choosing house colors and their proper placement on each architectural element. As there are a multitude of factors that affect making these correct choices, this post is about just one of them – landscaping.

Landscaping should be taken into consideration when choosing the color palette for your home’s exterior. This not only includes hardscaping, foliage and bloom color, but the landscape style as well. They must harmonize. And conversely you can add even more curb appeal to your home by matching pots and plants with the existing house colors. By coordinating your landscape with your house and vice versa, an enhanced, unified design will result.

I learned this the hard way. Early on in my color consulting career I specified beautiful orange doors, Benjamin Moore #1196 “Burnt Sienna”. This orange hue of the door was just the perfect feel good punctuation the palette needed against the house body color C2 401- “WildWood”.


Yet it was midsummer and the surrounding foliage was still green. When I returned a couple of months later to see the finished result and take some pictures, I gasped. The house looked great, but the Burning Bush in front of it was aflame in all its deep magenta glory. Clash of the Titans! The cringe quotient was high.

The only living thing I could find that matched with the door was a nearly ripe apple! I took it up with my client who had noticed it too. We eventually changed the door color to C2 #056 “Paprika”.

I have never made that mistake again and know they both go in tandem. Here is a picture of a successful job that illustrates just that.

The red front door and window sashes painted in Sherwin Williams 2801 “Rookwood Dark Red” echo the Japanese maples.


The body painted in SW 2808, “Rookwood Dark Brown” is a natural foil for the all the trees and shrubs.

So, this summer, if you are planning to paint, consider your landscaping or if you’re planning a planting scheme, remember what is already there. By the way, a great resource for just that is a book entitled The Garden Color Book, 343,000 Combinations for your Garden. It is divided by different color sections and each page is cut in three so one can mix and match.

If you need help in planning your color scheme, don’t hesitate to contact a seasoned architectural color consultant. Our services are well worth it.

Elizabeth Brown ebrown@eb-color.com 206-353-0454

Original post at Colorific.
March 7th, 2011

In January, my first Seattle architectural color consultation of 2011 was for a law firm, located in Seattle’s Fremont neighborhood with a killer view of Lake Union.
They are a growing firm, moving into a larger facility so we were dealing with a situation that was still under construction. Last week I finally got the chance to see the new installation over at TMD in which I helped with the color and finish selection.

Since I had never consulted for a law firm, I did a little homework in advance. I researched other law firm design and found the typical paneled walls, red leather seats and other ubiquitous clichés. One can practically smell the cigar smoke. So how to proceed? Well, one look at their logo and it was obvious. Their colors were quite nice, a rich terra cotta, dark greenish gray and a deep brick red. These colors would lend themselves to an interior palette and we’d do the “branding” thing while we were at it.


In this project we were limited to using Sherwin Williams paint because that is what the contractor implicitly stated in the finish schedule. No problem, there are colorful solutions to be found in their architectural kit, and I have always particularly loved their Preservation Palette. Before I arrived, I matched them up with Roycroft Pewter, Rookwood Red and Rookwood Terra Cotta. The combination of these colors was exquisite and my client thought so too. Voila…a starting place. The other given was a carpet sample, already chosen by the owner in which interestingly enough, all of these colors were inter woven.



And these are essentially what were specified in the space. We were once again limited to choosing only two paint colors which needed to be warm and neutral. For the dominant walls we went with “Ivoire”, warm and luminescent.
So where to put the terracotta, our secondary wall color? I told her the placement of these colors had to make sense; we cannot just randomly place accent walls. They either needed to serve as path finding, a focal point or anchor something. So we started in the reception area. Clients would either enter from the door or from the elevator. The reception desk was here and needed to be highlighted. Two and one half walls surround the reception desk, creating not only a nice focal point, but a nice backdrop for their logo on the wall and a comfortable station for the receptionist.
Where else to put this color? First I considered putting it on the back wall in the conference room. It was rather long and narrow and I suggested it would “advance”, making the room not appear so long. Well, just by saying the word advance, because that is the operative word, made my client hesitate. She said depositions take place in there and one “advancing” wall just might not be a good thing. Right! I have been in a deposition before. All four walls should be equal!

The only places where it worked to put the terra cotta were the walls at the end of the hallway and the wall kitty-corner to that. It would inject some color in nondescript areas.

The window sashes were already burgundy aluminum, so that took care of that color, and we used a mid tone gray laminate counter tops in work areas. Not exciting, no, but it rounded it out the palette creating the necessary warm/cool balance as well as serving as a visually ergonomic work surface.

It was a very successful installation and a pleasure to tour its completion as well as to view their impressive art collection.

A huge thanks to Nedra Daly, over at Daly’s Paint, my all time favorite paint store, for referring me for this great job. They are dealers in C-2 and Pratt and Lambert and top of the line stain products.

If you need an expert color consultation, please call me or email EB Color Consultants and together we’ll get it right.

Elizabeth Brown 206-353-0454 ebrown@eb-color.com

Original post at Colorific.
January 14th, 2011

Photo by Elizabeth Brown

I believe sometimes that when people consider the work of color consultants, they assume that only the use of bright colors are bestowed in achieving beauty. That to some, color is only regarded as bright and saturated. Not the case. As I have previously stated, everyone has his or her own personal color preferences. And to my eye, the faded, muted colors inherent in wabi-sabi are exquisite.
Photo by Elizabeth Brown

The Japanese aesthetic of wabi-sabi implies impermanence and imperfection, simplicity and modesty and quietude. It reveals to us what only the beauty of the passage of time can create. Think moss,

Photo by Elizabeth Brown

rust,

Photo by Elizabeth Brown

and patinas.

Photo by Elizabeth Brown

This notion is echoed in one of my favorite books, Elements of Garden Design , by Joe Eck. “…in a culture that, while frequently acknowledging the virtues and joys of youth, seems to have forgotten that beauty also attends old age, gardens offer testimony to the repose, order and serenity that age alone can bring.”

Photo by Elizabeth Brown

If you haven’t seen The King’s Speech, by all means go see it! Not for the extraordinary story, the stupendous acting, the poignant scenes, the uplifting music, the gorgeous costumes-but for the beautiful wall behind the sofa in the speech therapist’s office!

It reveals layers of wallpaper from eras passed, creating a collage that parallels the understated beauty of tree bark. And although most people would not want this as a backdrop to their sofa, it is still beautiful in its own right.

Photo by Elizabeth Brown

So take a look around. Start appreciating where time has left its beautiful mark in some places,

Photo by Elizabeth Brown

and what needs a new coat of paint in others. It’s up to you to decide.

Photo by Elizabeth Brown

EB-Color.com 206-353-0454

Original post at Colorific.
December 2nd, 2010

Back by popular demand, Retrofit Home, a very cool home furnishings and gift store on Capitol Hill in Seattle is presenting the art show “Hundred and Under” and once again, I am so fortunate to be included. As the name infers, all the pieces will be for sale for under $100.
This year I will be exhibiting my own little private beetle collection. Oh, you didn’t know I was an entomologist? Each little piece, measuring 8″ x 8″, depicts a real beetle. Well actually, I got the images from a book. It was such an inspiration because they are so varied and so COLORFUL.
The opening reception for “Hundred and Under 2010″ is December 9th from 5 to 10 pm. The show will be up until the end of January 2011. The address is 1103 E. Pike St.
See you there!
206-353-0454

Original post at Colorific.
November 19th, 2010

I love to paint as a hobby and some of my little works are featured in my Etsy shop. Escaping into the paint box is just as magical as walking into the wardrobe closet and ending up in Narnia. It’s like going on a road trip with no road map or any particular destination in mind. Here’s a brief travelogue of one recent journey.
I laid out the “bones”.

I added some color.

I put in the background.

Then added accents and highlights.

I went around the world and back and brought back a souvenir, all with out leaving my stance at my easel. I saved a lot of money on gas, but still had to wash out my brushes. It was so much fun!
eb-color.com 206-353-0454

Original post at Colorific.
November 17th, 2010

I received a good education on staining brick last spring on this particular job in Redmond’s Union Hill Gunshy Ridge, a neighborhood filled with luxurious, Tudor homes, yet where so many look alike. It’s invaluable to be able to change the color of the brick (and the monotony of the neighborhood) without losing the visual texture of its underlying irregular surface which would have resulted if it had been painted with an opaque paint. Any custom color can be achieved by its tinting into either a clear, solid or semitransparent stain.

Here are the before and after shots. Isn’t the transformation amazing?


The colors specs are: SW 2827 “Colonial Revival Stone” for the brick stain and the decorative trim, SW 2822 “Downing Sand” on the stucco, BM OC-130, “Cloud White” for the window sashes and gutters and SW 2801 “Rookwood Dark Red” for the front door.

H and C by Sherwin Williams offer excellent masonry products for just about any situation, both vertical and horizontal, where the ultimate aim is a decorative effect and EB Color offers excellent advice.

eb-color.com 206-353-0454

Original post at Colorific.
November 11th, 2010

















It has taken me four years and hundreds of consultations to have finally owned up to my true gift as an architectural color consultant. It’s been slowly dawning on me as I see the look of relief, satisfaction and pure joy on my client’s faces. I have always been confident about my color sensitivity, but it was my most recent color consultation at Tease Salon that confirmed this other innate ability. It was also proof of the power of color and its effect on human emotions. So you’re wondering, what is it that I do? Well, I am a facilitator. I “get out of the way” and let my client discover the paint colors they truly desire. And then I make it work.
When we began the consultation at Tease, its owner, Judy was lamenting over the existing wall colors. In the work station, there was a yellow hue, with a pumpkin color undertone. She hated it and so did the stylists who work there. She wanted a complete change in color and feeling. There were already a lot of great elements going for the space – the corrugated galvanized half wall, the beautiful existing warm brown trim that surrounds the mirrors (painted in Ralph Lauren’s “Turret Stair”) and vintage black and white photographs.
This yellowish hue along with the lugubrious wine colored one on the opposing wall did not reflect “urban”, “edgy” or “elegant”, the feelings Judy wanted to convey in her salon. Quite the opposite. They gave a “homespun” feel and just did not match with the metal, leather and glass.
First of all, Tease’s logo is awesome. (I always love a double entendre). Its Jetsonsesque retro, black and white graphic was certainly the point of departure in selecting a new palette. The black and white contrast demanded a limited palette and a warm grey wall seemed the answer to contrast the cool grey of the metal half wall. The warmth and complexity of Authentic Home’s “Grey Stone” was the antidote. The stylists LOVED it, saying it will not compete with or provide any kind of after image as they are coloring hair.
For the other wall, we explored several options from various shades of greens to eye popping orange. But remember, besides urban and edgy, the third criterion to satisfy was “elegant”. Judy said “what about blue?” No sooner as I had reached for the Benjamin Moore Aura deck, knowing there are some great blues in there, Judy’s finger pointed right to AF-525, “Fiji”. Voila…we nailed it. At that point, we were all giddy because this palette came together so smoothly and EVERYONE was happy about the new colors. We danced around the room holding a vision of the colorful transformation with the joyful expectancy of a new baby.

The creation of every palette is as unique as the collaborating individuals who make it. Tease’s motto couldn’t say it any better.

eb-color.com 206-353-0454

Original post at Colorific.